
Ten bucks says you don’t know this flag. You don’t, do you? But you may be excused, as it’s actually not the flag of any existing country, but the Sami nation.
Now, cue the question – what the heck are the Sami and why do you prattle about them suddenly?
Well, to answer the first question, the Sami are an indigenous people of northern Europe inhabiting northern Sweden, Norway, Finland and the Kola Peninsula of Russia. This area is called Sápmi, which means Sami land (kinda). Their traditional languages are the Sami languages, which are classified as members of the Finno-Lappic group of the Uralic language family. Traditionally, they’ve been semi-nomadic hunters, fishermen and sheep-herders, but they are most famous for keeping herds of reindeer.

Picture of Sami family, around 1900
And why I prattle about them? Well, today is Feb 6, which is the Sami national day. And the reason I care is because I am one – or at least my ancestors were. Personally, I don’t own a single reindeer, nor even a gákti, which is the traditional clothing of the Sami. But today, I still feel vaguely proud that my people survived years of persecution – times when they were killed for executing their traditional shamanic religion or when they couldn’t use their own language or practice joik, the traditional music. So I’d just like to give my brethren (and sisters) a shout out today.
Finally, a sample of joik – Mari Boine’s classic Gula Gula
*In case you wonder what that means, it’s “hold this reindeer” in one Sami dialect. Always a useful phrase to know, that…
Hello, I’m Felicia Holt and I’m potentially a liar.
I’m writing a story that I’m having great fun with at the moment. It’s set in an alternate 1860’s where the kind of technology steampunkers love abound. Yes, there are dirigibles, there is brass and industrial secrets are the main currency of international espionage. Because of this I tend to label it a steampunk.
But is it?
I don’t know. What I know is that I whole-heartedly agree with Dru Pagliassotti’s excellent article on the difference between steampunk and gaslamp.To me, it needs both the “steam”-elements and the “punk”-elements to qualify.
So why do I hesitate about my project? I have technology with Victorian aesthetics, and it’s the sort of speculative technology that is usually associated with the genre. But it isn’t central to the plot. Social and political conflicts are what the plot is about. The technology is just there.
See, what attracts me to the genre (and has, since I was a fledgling little roleplayer fifteen years ago who couldn’t even spell “steempunck”) are the potential conflicts of that age. The race for colonies. The need for those potential colonies to fight back. The social divides of 19th century Europe. The conflicts of nations that lay the foundation for the horrific disaster that was WWI. The brand new ideas – political and scientific both – paired with the extreme conservatism. Oppression and opulence.
That’s what draws me to it. The brass… Well, I more see that as a way of distancing my world from the real 19th century. Plus, let’s face it, it looks cool.
So maybe I lie when I say I am (like everyone else presently) working on a steampunk. Maybe it’s something else. I won’t have to drop the “punk”, but maybe I should drop the “steam?” And if so, do I write “gaslamp punk?” Oh, sorry, “gaslamp punk romance.”
It’s either that, or I analyze too much.
You can now get a hardback leather case for your MacBook/MacBook Pro that looks brilliantly, awesomely, beautifully just like a book.

I WANT! Something horrible.
I’ve said it before – I’ve been neglecting this blog. Why? I think the problem is that I can’t find what to do with it.
It’s not that I don’t like blogging. I do. I’ve done it before with great results (that is, if you consider riling up young men with a preference for expander ear rings who like music with -core in it, a success) I think the problem is that I don’t know what I want this to be – am I to talk about writing? My writing? Writing in general? About books?
Or should I talk about me?
Here’s the thing – I’m not very focused. I’m all over the place; writing, me, books, music… I chatter. It’s who I am. I suppose I could press myself into the mold of some other writer, but guess what? I’m not some other writer. I’m me.
In Booklife, Jeff VanderMeer says that he’s seen lots of people trying to start a new blog and to turn it into their vision, only to see how slowly, it returns to the writer’s usual style. I think that’s true. Besides, either you like me or you read someone else’s blog. I have nothing to promote, no advice to dispense and no real agenda. I’m nobody. Just me.
I’m a charming, somewhat over-intellectualizing, music-loving geek who writes books with girls, ghouls and gizmos in them, and I don’t think I can pretend to be anything else. Actually, I don’t even want to be anything else.
So here’s what. I want to find out what my voice is and what I want to use this for. I’ll experiment a little. Try writing about my writing, about the fascinating facts I stumble upon while researching. Maybe I’ll post cute videos and generally chatter about musings on life, books and whatever strikes my fancy. If you want to give me feedback, like tell me I’m boring or funny or interesting, do. Otherwise, I’ll just prattle on anyway.
So grab a cup of coffee, huddle up by the fire and let’s chat!
Everybody always says be yourself, as if that is an absolute positive. But what if, deep down, you’re not really very nice?
I can think of a whole slew of people whom I think we’d all liked better if they hadn’t been themselves. Like Elizabeth Báthory. Personally, I think she’d been so much nicer if she had suppressed those murderous impulses. Also, probably ‘be yourself’ isn’t necessarily a good advice to someone who is secretly a megalomanic madman with secret aspirations to be proclaimed a god.
So before listening to advice like that, please ask yourself: if people really knew you, would they want to burn you at the stake?
I’ve heard some people say they couldn’t write if they didn’t have a title for their project.
That’s not me.
Actually, it’s very, very good that’s not me, because I cannot come up with titles that are even halfway decent. I can write, I like to think, witty conversations, emotional musings and evocative descriptions. But I cannot come up with a title to save my life.
The contemporary I wrote this fall was easy – I had a particular theme song in mind, the first line of which made a decent title, without being an apparent steal. But the two I’m working on now – total disaster. For one of them, I even have name for the whole trilogy I plan to write (if anyone wants to read it, I’ll leave unsaid, but I’ll write it either way), but I cannot come up with a title for the bloody actual book to save my life.
It’s like I don’t have the gene.
If you do, could you teach me? Please?
Picture: David Blackwell
I just read this really interesting post over at Dear Author. And it made me think – about men, women, sexuality, romance and double standards.
Female sexuality has, in a Western historical context, always been a problem. Traditionally, women may have been associated with home and hearth but that has in no way meant that they have been viewed as less ’sexual’ than men, or possessing less sexual drive. In fact, Western society has perpetually pictured women as a dichotomy – destined for purity, motherhood and virtue, while burdened with a sinister, bubbling undercurrent of dangerous sexuality.
Female sexuality has not been so much denied in the past as feared. Women need to hold on to modesty and virtue and not give in to their true, baser nature. Doing that would turn them into monsters, entirely driven by their needs (as illustrated by a whole sleuth of Victorian novels, especially of the Goth variety). Being the virgin and not the whore has not been seen as coming naturally to women. It has rather been seen as her battling her low nature and achieving the higher purpose she was given in Creation (insert the Hallelujah Choir here). Meanwhile, uncontrolled, aggressive female sexuality has been condemned to the point where it was used as one of the trademarks of evil – see the notion of orgies at witch sabbaths. The fact that women thus needs to be protected from their own nature is really an underlying rationalization for the traditional Western way of dealing with female sexuality.
By comparison, male sexuality is considered pretty harmless – at least unless it contaminates ‘pure’ females. Male sexuality directed at already fallen women has not been a problem at all – oh, yes it’s not been encouraged always perhaps, but it has been tolerated. Men, it seems, can exercise their sexuality without endangering either themselves or anyone else.
So why is this? Well, in a world without paternity tests, whoever controls women’s fertility, controls the offspring and therefore, the future and survival of our society. Thus, women’s fertility is a key resource in our society’s survival. As such, it needs to belong to society rather than the individual woman. It needs to be controlled, and the only way to do that is to control women’s sexuality.
Therefore, unlike male sexuality, female sexuality is subversive. It’s a barely contained revolution. It’s Madame Guillotine waiting to happen, right there in our wombs. Men, well, as long as they stick with the women we know are lost to the cause already, they cannot do that much harm. But touch our society’s future, our pure women, and we *will* have your private parts slowly grilled over a smoldering fire. Trust me.
However, dirtying a pure woman isn’t the end of a man. He isn’t ruined, he’s merely harmed the common resource base. He’s a thief. He’s done something bad. The woman on the other hand, is another matter. She’s a whore. She is something bad. She’s ‘compromised’ as a resource and cannot play the part that was intended for her. Her only use will be to direct male sexuality towards her and away from the pure women – unless the man marries her of course. Then her use to society is restored and she’s somewhat redeemed.
Seen like that, yes, female sexuality becomes a currency that does not exist independently, for women themselves. It becomes an almost magic resource base. It’s always lurking, like a monster under the bed, threatening to rise up and potentially kill us all. Sort of like Tiamat, emerging from the primordial sea, threatening our whole world with the coming of the Flood. It is not to be tinkered with, certainly not by women for their own pleasure. Geez. It’d be like handing a five-year-old a loaded gun, right, because you know women aren’t really that much smarter. At least that has been the generally acknowledged truth for ages.
Funnily, in a way, historical romances are subversive in this regard. What a romance heroine often does is tell society that ‘no, my sexuality is not a resource to be used for the good of society. It’s mine to do with what I want’ by making her own choice. In that way, she is somewhat regaining control over her own sexuality. In the past, it has been expected that she proves she can handle the gun – she mustn’t go shooting all over the place, so to speak. Romantic marksmanship has been expected in heroines. But that is changing and I’m glad for it.
Generally, to me, it’s not about the need for more promiscuous heroines, or fewer virginal ones. Both belong, as do women with sexual traumas and women who are blithely just toddering along. What I think we need to do is to broaden the scope and to problemize female sexuality to a lesser degree than we might do in romance at the moment. Because unless the genre (not individual books but the genre as a whole) can address the female experience in terms that allow a wide scope of women to enjoy the books, we (as in writers and publishers and anyone else with a stake in the genre) are shooting ourselves in the foot. In my humble opinion.
For me, as a writer of historical romance, my characters must, unless they are to be complete anachronisms, to a certain point embrace the traditional ideas of female sexuality outlined above. On the other hand, unless they are to be complete assholes, they cannot embrace them fully. Because frankly, either a man or a woman who thinks women’s value is intrinsically connected to their sexual status is pretty offensive to me as a 21st century woman. I hate reading about them, and I’d hate writing about them. Yeah, it’s a challenge, but one I’ll certainly enjoy.
So, I’ll just add “how do you handle female sexuality?” to my ‘list of things to evaluate about project’, just next to “never make villain effeminate or overweight because it’s an offensive trope.”

This is Captain Insomnia. She lives under my bed and quite regularly kicks my butt. She’s sly about it – she doesn’t barge out and yell ‘kazaam!’ She sneaks up on me – subtly, slowly. And the ‘paow!’ No sleep ’til Brooklyn (which I live nowhere near).
It sucks. I mean, I’m more or less used to it, but let me tell you, operating on three hours of sleep is no fun experience. So I’m looking for weapons to help me counter the almost-lethal attacks of Captain Insomnia.
Do you have any tips on how to battle Insomnia?
picture made here
I’ll be the girl:
1. Listening to Dillinger Escape Plan on my iPhone
2. Reading Amanda Palmer’s twitters on my iPhone
3. Googling James Stuart on my iPhone so I can gawk at his wonderful hair.
4. Reading the memoirs of the Duke de Saint-Simon, also on my iPhone
5. Texting my bff about ordering a new MacBook
Let’s face it. I am a captive of the Apple empire and loving it.
Am I excited? You betcha! I have a deep love for steampunk, a whole huge project (hopefully one day spanning three stand-alone books) planned out in a steampunk setting too. And every single workshop I’ve participated in at RD has been mindblowing. Definitely looking forward to this!

Steampunk Workshop
January 21-23, 2010 at Romance Divas
Featuring:
This workshop will take place at the Romance Diva Forum. All are welcome. To get access to the forum you will need to register.